A journey through time with classical guitarist Aleksandra Lucic


Teacher at the Redemptorist Centre of Music (RCM) and performer Aleksandra Lucic will be giving a solo performance at a lunch time concert in St Mary’s Cathedral on September 18.

From Croatia, Aleksandra is a classical guitarist, “I started to play guitar when I was ten years old in the music school, and since my first touch with the guitar, I knew that music and especially guitar would always be my main subject, my passion and love”.

Performer and Teacher at the RCM Aleksandra Lucic

Aleksandra who has a Diploma in Musical Arts said, “I was lucky to be supported by my parents, but I also had a very good guitar teachers.  I’m very proud that I can say that I was a student of Professor Mila Rakanovic, one of the leading guitar professors at that time in that part of Europe.

“I have performed numerous times in Croatia and all the rest of the states of Eastern Europe and won several prizes in International Guitar competitions in Bosnia and Herzegovina”.

In 2016 Aleksandra moved to Limerick with her family, and since then has been working in the RCM as a guitar and ukulele teacher, where she teaches everything from classical to contemporary music, and shares her knowledge and more than 16 years of teaching experience with her students.

Following a recent well attended lunch time concert in The Granary Library, this will be Aleksandra’s first time performing in Saint Mary’s Cathedral.

The audience will be treated to a solo concert of classical music, and experience a sense of travelling through time and around the world as Aleksandra performs pieces spanning from the Baroque period to the 21st century.

The programme will include pieces by J.S.Bach, A.B.Mangorè from South America-Paraguay, and  F. Tarrega from Spain.

“After Spain we will travel to the United States in Tennessee with the composer Lawrence Long and then continue to South America through pieces by Antonio Lauro from Venezuela and Jorge Cardoso from Paraguay. For the end of the concert I will bring the audience back into Europe with the composer Roland Dyens from France.

“I’m very happy to work in the RCM where the environment is so friendly and all of the teachers are very talented. With this concert and the rest of them, that I intend to perform, I would like to show gratitude, and give a piece of me through the music to the RCM and the community of Limerick,” added Aleksandra.

The concert will take place at 1.15pm on Wednesday, September 18, at St Mary’s Cathedral.

https://www.redscentreofmusic.ie/

‘From Buenos Arias to Broadway’ with Owen Gilhooly and Helen Houlihan


This Culture night you will have an opportunity to see Tenor Owen Gilhooly and Soprano Helen Houlihan join forces in concert for ‘From Buenos Arias to Broadway’.

Soprano Helen Houlihan and Tenor Owen Gilhooly

 

Director of the Mid-West Vocal Academy (MWVA) Owen and Teacher at the MWVA Helen will be joined by pianist Michael Hennessy, violinist Hugh Connelly and Tom Murphy on viola.

The audience friendly free concert will have something for everyone, with popular operatic arias and songs from stage and screen, including a selection of Irish songs, Broadway hits, and popular arias. Instrumentals will include tango music from Latin America.

Hosted by Clare Culture night, this must see concert will take place at 7 pm on Friday September 20, at St. Columba’s Church, Bindon Street, Ennis.

http://www.midwestvocalacademy.com/

Meaghan loves sharing the beauty that music brings to life with her students


By Louise Harrison

Meaghan Haughian from Canada, who has been teaching at the Mid-West Vocal Academy (MWVA) for two years loves teaching music for many reasons, “I love students’ excitement. I love helping them decode the puzzle, and seeing things finally come together—the classic “lightbulb” moment. I love seeing their pride when they can do something they couldn’t in the not-so-distant past. And I love learning along with them—new songs, new ways of thinking, and the chance to critically examine just how and why I do what I do in my own practice”.

Player of 19 instruments in total including the piano, flute, whistle and Irish flute. Meaghan also plays all the band instruments, which she said she can play well enough to teach beginners and direct a band, these include the oboe, clarinet, saxophone, bassoon, trumpet, French horn, trombone, euphonium/baritone, tuba, percussion, and then also the bodhrán, guitar, mandolin, uilleann pipes, and the most recent addition to her collection was a Highland bagpipes practice chanter.

Meaghan believes people should learn music for a number of reasons, “At the very least, so they can sing ‘Happy Birthday’ and the national anthem in tune, and can clap on the right beat at the right time.

“There are many cognitive advantages: a full-brain workout, improving connections across the corpus callosum, lowering the risk of dementia and generally protecting against age-related cognitive deterioration. 

“Music is also great for personal development, giving students a mode of expression, a chance to succeed if they happen to struggle academically, an outlet from other life pressures, a chance to meet other musicians.

“We are constantly surrounded by music, and having a good music education makes for better music consumers who have been exposed to a greater variety of artists and styles beyond what they would naturally listen to, who have a good appreciation for how much work that a musician has put into what he or she does, and who are more likely to support live music and the arts in general. 

“But mostly, I can’t even count the number of people who have said to me, ‘I wish I hadn’t quit music lessons’. Music is a life-long skill that can be enjoyed well into old age, which is good, because music-making is just plain fun—a rewarding activity in and of itself. I’ve been to fleadhs and Willie Clancy Week and other traditional music settings where people have been sitting in a corner playing tunes for an obscene amount of time, all week long, getting nothing from it but sheer enjoyment.

“I’ve experienced the marvel of sitting in a band and sight-reading a piece I’d never heard before, the music realising itself around us as if by magic. I’ve sung in choirs where I’ve slotted my voice into that exquisite hair-raising harmony, contributing to this fabric of sound that feels that much more profound coming from my own breath and body. I’ve played a flute-piano duet with an accompanist so sensitive to the music and to me that the notes seemed insignificant, the music rising beyond simple fingerings and rhythm and dots on a page to breathe a life of its own. 

“So, if you think music is nice to listen to, imagine how much nicer it would be to actually be part of that music-making yourself”.

Meaghan Haughian Musician and teacher at the Mid-West Vocal Academy

So, where did Meaghan’s passion for music come from? Her earliest memory of experiencing music at a young age was hearing her Dad singing and playing his guitar, Church choirs, listening to Disney soundtracks and her Dad’s rock albums and his classical-music stories like ‘Vivaldi’s Ring of Mystery’ and another one about Mozart’s The Magic Flute and getting a piano from her Grandpa.

“I sat in front of it and cautiously pressed the keys, marvelled at this big complicated contraption. I kind of figured out “Little April Showers” from Bambi, but when I tried to play it for our Kindergarten graduation, it didn’t go over so well, the kids laughed at me, and some of the other students who actually attended piano lessons played their pieces instead. It didn’t even bother me that much—I was completely aware that I didn’t know what I was doing, so I didn’t take it too personally,” Meaghan laughed.

At Meaghan’s first piano lesson when she was just seven years of age, she remembers feeling eager to unlock its secrets and then having to go home and practice, for her it was like setting out to solve a puzzle. At the age of eleven, Meaghan started to learn the flute.

When she was just fourteen, she attended the Saskatoon Youth Orchestra’s open day, where she got to play with the full orchestra.

“I was blown away—they were so good, and the strings sound was so lush and full. I was amazed when I was actually successful in my audition that autumn, and pretty much right from the first rehearsal I knew that I had to do music for the rest of my life”.

Towards the end of high school Meaghan became interested in Irish traditional music and learned the whistle and Irish flute. She studied music education at the University of Saskatchewan, and played with the Band of the Ceremonial Guard in Ottawa during her university summers, and During this time, started playing with a local Celtic trad band called The Residuals.

“My university graduation present to myself was a trip to Ireland, where I attended several workshops and played in sessions across the country and when I came back to Canada, I started teaching band, choir, guitar, and English in Prince Albert, Saskatchewan. I continued teaching in Saskatchewan for five years, after which I did a Master’s degree in ethnomusicology at the University of Limerick, studying the uilleann pipes and writing a thesis about cóir Ghaelacha (Irish language choirs). After my degree, I decided to stay in Ireland, and now I teach a variety of instruments, as well as a cór Gaelach and music theory, at the Mid-West Vocal Academy”.

So, what has music brought to Meaghan’s life? 

“What hasn’t it brought to my life? It has brought a career, travel—culminating in a full-out relocation across the Atlantic—new friends, fluency in the Irish language, hours of enjoyment (frustration, too, but we’ll focus on the positives), and depleted bank accounts from money spent on instruments and workshops and lessons (totally worth it). Most of all, it has brought moments of incredible, indescribable, inimitable beauty,” smiled Meaghan. 

http://www.midwestvocalacademy.com/

Mary Barry launches debut album at Dolan’s Warehouse


 

I Knew You, the debut album by Mary Barry, will be launched at Dolan’s Warehouse at 8pm on November 1.

Limerick Lady Mary, is a singer songwriter who, after many years of thinking about it, finally put pen to paper and composed nine original songs over the last year and a half.

“My inspiration comes from a combination of my two loves which, apart from the people in my life, are music and philosophy, and also learning from songwriters I admire, and writing what’s true to me,” said Mary.

The seed of this album began when Mary finally used a gift she had received, an hour in a recording studio in Dublin, three days before the voucher was due to expire. There she recorded her first song, accompanying herself on guitar. That was the start of her creative journey that eventually led her to Red Door productions in Limerick, where she met Dave Keary.

“Luckily for me, Dave has a very busy schedule, which meant there was time between meetings to write more songs. So, what started out as one song became nine. It has been an amazing journey, and a privilege to work with Dave and the amazing calibre of musicians he brought together in the making of this album,” added Mary.

Having always loved singing, Mary originally took guitar lessons so she could accompany herself as a hobby. Inspired by song writers such as Kris Kristofferson and Mary Chapin Carpenter, Mary’s main influences are folk and country music. She writes philosophically about her life experiences and hopes she is conveying thoughtful and uplifting messages through her songs.

“When I’m singing I think about the lyrics and what they mean to me. I love the way music brings out feelings and helps summarise otherwise complicated scenarios. I also feel deeply grateful and spiritual. The songs mean all I’ve ever felt but never thought I would have or need to explain, if that makes sense,” said Mary.

On the night Mary will be accompanied by Dave Keary on guitar, Danny Byrt on Drums, Eoghan O’Neill on Bass and James Hanley on Keyboards.

“Other than singing a couple of songs in a pub the odd time, I’ve never done anything like this. In one way, I can’t wait. In another way, I’m terrified,” added Mary.

Tickets are €5.00 and can be bought from

https://www.dolans.ie/gigs-events-live-music-listings/2017/11/1/mary-barry

https://www.facebook.com/mary.barry.9655806

The Countess’ Salon performed by The Opera Workshop at No 1 Perry Square Hotel


The Countess’ Salon, performed by new Limerick based group, The Opera Workshop, will take place in No 1 Pery Square Hotel on October 15, November 12 and December 10.

Founded, produced and directed by well known Limerick Lady, Shirley Keane, this premier performance has a cast of some of some of Limerick’s best known singers, including Sarah-Ellen Murphy, Jean Wallace, Eve Stafford, Kevin Neville and Catriona Walsh, with piano accompaniment by Irina Dernova.

The performances will comprise well-known songs and musical highlights, including those by Puccini, Bizet and Mozart and the December concert will also feature Christmas songs and carols.

‘It is a wonderful time to be trying something new in Limerick.  I have come home to an energised city and county that is enthusiastic and excited by arts and culture.  And though opera is not new, nor is Limerick’s love of opera new, I hope that the work of The Opera Workshop will be refreshing, challenging and entertaining for Limerick audiences and artists,’ said Shirley.

Having spent more than 20 years in the United Kingdom, Shirley, a professional actor, singer and teacher, believes that the possibilities for creating original cross-art and vocal work are endless.  Her aim is to cultivate a company that develops high standard professional productions, while simultaneously encouraging younger, local musical talent.

“It was the room that actually inspired us with the idea of a grand opera salon, hosted by a charming, glamorous Countess.  The audience should feel like her guests enjoying her party and are privy to the gossip and scandal that is brewing around them.

“We devised the story, characters emerged, we played with the relationships between the characters, and a script was devised and written which acts as a link for the songs but also creates a tangible story.  There will be a mix of styles of songs and opera including light opera, folk, German lied, music theatre and opera performed in English, German, French and Italian,” added Shirley.

The cast have been rehearsing since early September and are hopeful for full houses as tickets are selling fast for this intimate venue which holds 50 people per performance.

Shirley’s hope for The Opera Workshop is to provide the focus for a collective of like-minded artists interested in testing their skills, developing new productions, seeking opportunities to experiment, develop and share innovative ideas in opera performance as there are many musicians from across the Mid-west  who work on a professional and semi-professional basis in Ireland and internationally.

Shirley intends that The Opera Workshop will have a strong community and outreach ethos and welcomes opportunities to work with schools and community groups interested in developing projects that serve their needs while exploring a vibrant, joyous and beautiful art form

Having begun her vocal training with Olive Cowpar in Limerick and worked for a couple of seasons at Bunratty Castle as an entertainer, Shirley then went on to study a Bachelor of Arts degree in acting at the Rose Bruford College of Drama, London, and voice and opera at both The Guildhall School of Music and the Royal Academy of Music London.

Her successful career saw her including Opera Theatre Company, Basingstoke Haymarket, Opera Holland Park, with concert and oratorio performances across Europe and in venues such as The Royal Festival Hall, Royal Albert Hall, Old Trafford football stadium and Dublin’s National Concert Hall.

And teaching through community and outreach work in particular, through her own community opera company in East London, East End Opera and with companies such as Live Music Now, Glyndbourne Opera, The Half Moon Young People’s Theatre and more lately as a director and acting teacher at The Guildhall School of Music, London where she is a member of the vocal faculty.

The No 1 Pery Square Hotel are offering a pre-opera 3 course special menu at €35 pp.  Dinner reservations can be booked directly with the hotel – 061  402402/ info@oneperysquare.com

The show tickets are booked via info@operaworkshop.ie.  We take bookings, reserve tickets which must be paid for on the night.  Box office available from 7.30

“The dinner is a separate offer made by the hotel and not part of the performance.  If people want to avail of this special rate for a meal at No 1 Pery Square they book directly with the hotel and would probably need to consider an earlier booking as the show must start at 8pm.  But guests can bring drinks into the performance.  Tickets for the show can be booked independently without having to book for the dinner,” added Shirley.

Tickets for performances of The Countess’ Salon must be pre-booked on info@operaworkshop.ie

Tickets cost €20 and €15 concession.

www.oneperysquare.com      https://www.facebook.com/theoperaworkshop/

 

Edel O’Brien, Reflecting Strings and Irina Dernova to perform at St Michael’s Perry Square


An Evening of Popular Classics, a concert featuring mezzo soprano Edel O’Brien, trio Reflecting Strings and organist Irina Dernova in aid of St. Michael’s Organ Fund and Down Syndrome Limerick will take place at St Michael’s Church, Pery Square on March 31.

Edel O’Brien

“I have only had the pleasure of singing in St. Michael’s Church once before. It is a beautiful venue to perform in. The acoustics are excellent,” said Edel.

Originally from Kilrush, County Clare, Edel began voice training with Jean Holmes at the Limerick School of Music. Then having obtained a Bachelor and Master of Arts in music from National University of Ireland (NUI) Maynooth, she studied at Trinity College of Music, London, followed by two years at the Centre de Formation Lyrique, Opera Bastille, Paris. Edel has performed as a soloist in Opera de Paris, Opera de Rouen, Opera Ireland, the Anna Livia International Opera Festival, and as a guest soloist with many choral societies throughout the UK, Ireland and France.

“It was really Moya who made the final choice of programme. She asked me to find pieces I like to sing and then chooses those that work best when arranged for cello, violin and harp. The programme will include works by Mozart, Gluck, Bizet and Rossini,” added Edel.

Moya O’Grady on cello, her son David O’Doherty on violin and daughter Geraldine O’Doherty are Reflecting Strings, a Dublin based chamber group that has recorded five critically acclaimed CDs and toured extensively internationally, one special highlight was a celebrated performance in the Smithsonian Institute, Washington D.C.

Moya was co-principal cellist of the RTE Symphony Orchestra. David studied at the Dublin Institute of Technology (DIT) Conservatory of Music, made his American debut live on Boston Radio and in July 2000, and received his “Premier Prix de Virtuosité” from the Conservatoire of Lausanne, Switzerland.

Geraldine has been Principal Harpist with the RTE Concert Orchestra since 2006, and is a teacher at the Royal Irish Academy of Music, Dublin. She studied at the Guildhall School of Music, London and at the Hochschule fur Musik in Zurich. She has toured internationally and performed with many groups and has an extensive list of recordings for various artists such as Paul Byrom, The Priests, Celtic Woman, Celtic Thunder and she also features on the soundtrack to the Oscar nominated film, Albert Nobbs.

Irina Dernova

Irina Dernova who is musical director at St. Michael’s Church, and is also a piano teacher at Mid-West Vocal Academy, Lisnagry, and is well known as an accompanist and teacher throughout limerick and Clare, will begin the evening by playing Trumpet Voluntary by Jeremiah Clarke on the organ.

“I wish to say a big thank you to Edel and Reflective Strings for offering this concert.

The organ in St Michael’s is one of the oldest in Limerick, about 150 years old. It needs funding, a big job was recently done on it, and more work is needed on it,” said Irina.

Tickets are €15 and are available to buy on the door before the concert at 8pm

CD’s by Edel O’Brien and Reflecting strings will also be available to purchase on the evening.

Laurel Hill Coláiste perform at ‘Reach Out’ Benefit Concert LIT


 

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It’s been a busy year for the music department and students of Laurel Hill Coláiste FCJ who will be taking part in the ‘Reach Out’ benefit concert for ISPCC Childline, at the Millennium Theatre on December 16.

The choir will perform a fifteen minute programme of Christmas favourites and also join with Music Generation, Limerick City Big Band and lots of other artists for group performances which will include some audience participation.

Last April at the Cork International Choral Festival, the choir won the Equal Voice Post Primary National competition for schools and the overall prize for the best school choir of the festival. This success came soon after the orchestras performance in the Dublin Feis Ceoil, where they won the Post-primary School Orchestra competition and the RTE Lyric FM award.

The choir comprising of 121 students from first to sixth class sang, ‘What Sweeter Music’ by John Rutter, and ‘Ceann Dubh Dílis’ by Michael Mc Glynn, accompanied by students, on drum Laura Drennan and Orlaith Stedje on piano.

“It felt fantastic. I’m really proud of them. The girls were so excited, we went down with the expectation to really sing well. I would always say to them once you come off the stage and you feel you have given your very best that’s enough. I don’t think they get nervous I think they just enjoy performing.

“It was very special for the sixth years, because they have been with me through everything. I think the younger ones learn from the older ones about their commitment to the choir, they sound so gorgeous the older ones, the first years would be trying to emulate their sound. We were singing in five parts, that was very difficult for them,” said conductor and music teacher Orla Colgan Ahern.

The orchestra consisting of 41 students from first to sixth years, having won their competition by playing ‘The Thieving Magpie’ by Rossini and ‘Pavane Pour une Infante Défunte’ by Ravel, were invited to play for the gala concert in the National Concert Hall.

“I think it gives them a huge discipline. They get to appreciate lots of different styles of music, they make friends in the choir and orchestra. I hope it instils a love of music, that they can join a choir and be good enough, and to love it. The same in the orchestra, that they would join orchestras when they are in college or if they are living somewhere away, it might be a way in to meet people.

“It’s a huge commitment, I think that’s very good, and the focus of it is good, because with a lot of technological things, it can be hard to hold their attention for a long time because they are always on Facebook or things like that, and I think music dispels that and allows them to focus for a huge period of time,” said Orla.

In January the choir collaborated with De La Salle College, a boys choir in Waterford to perform Fauré’s Requiem in Waterford Cathedral.

“There was a lovely rapport between the two choirs. From the Choral Festival the idea of merging the two choirs came, the idea of giving them a bigger work to do. It was fantastic there were about 200 singers,” said Orla.

This year the choir also performed in The Unlucky Cabin Boy in the Limetree Theatre, the Childline concert and Gulliver’s Travels which was written by Myles Breen and consisted of a collaboration of many groups including Limerick Youth Theatre, Coláiste Nano Nagle, Patterns Dance Collective, Limerick Youth Dance, Music Generation Limerick and the Daughters service users.

“That integration of the Daughters of Charity and ourselves is the most special thing we have done. We are lucky, this is our third year to be involved with it. It’s a privilege.”

In the past the choir have performed in concert with Anthony Kerns, the Vienna Boys choir and the UL Orchestra to name just a few. They also frequently perform new and commissioned works by composers such Ben Hanlon, Michale Holohan, Seamus De Barra, Elaine Agnew, Kathleen Turner and Michael Mc Glynn.

“Every year you have to start building again in the choir and in the orchestra, because you loose fantastic players every June, so you are constantly building and working on them,” Orla added.

This year the traditional musicians of Laurel Hill Coláiste, prepared by past pupil Deirdre Ní Mhaoláin also got to the finals of the Siansa Gael Linn, and represented the school at all Ireland level in the National Concert Hall.

To book tickets for the ‘Reach Out’ benefit concert for ISPCC Childline, at the Millennium Theatre on December 16, contact www.litmt.ie

 

Ancór Christmas Concert


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The award winning Limerick chamber choir, Ancór’s eighth Christmas concert will take place at 8pm, in St Mary’s Cathedral on December 15.

“Our partnership with St Mary’s Cathedral has proved very successful indeed. The concerts are always sold out, and it seems to have become an essential part of Christmas, to come to the Ancór Christmas concert for many in Limerick.

“I’m sure the fact that we serve up seasonal treats such as mulled wine and mince pies at the interval has nothing to do with this,” smiled Ancór choir director Cecilia Madden.

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Cecilia Madded Ancór musical Director

As well as the 35 member mixed voice choir, the concert will feature well known Limerick solo singers, Emma English, Sarah-Ellen Murphy, Kevin Neville, Vlad Smishkewych, and a guest orchestra.

The programme consists of, “The Magnificat, a fabulous work by CPE Bach who was one of Johann Sebastian’s more famous and talented children.

“In addition we will perform a beautiful Christmas cantata by an Italian composer called Ottorino Respighi which was written in 1930. There will be a few familiar carols too,” said Cecilia.

This year Ancór celebrated their tenth anniversary with the launch of their CD Sing Joyfully, and added more trophies to their collection when they won the Early Music competition and Best Limerick Choir in the Limerick Choral Festival.

In preparation for a trip to Slovenia in the summer of 2017, the choir will be staging a number of concerts throughout the country over the coming months.

Cecilia, who is enjoying her role as Deputy Principal at The Limerick School of Music, said the sound of the choir has evolved over time.

“We have always called ourselves a chamber choir but we are nearly too big to say that now. We aim to have that kind of pure sound that may be heard in smaller, tightly blended ensembles, but with the slightly larger numbers we have now, we have the scope to vary the dynamic levels dramatically for expressive purposes,” Cecilia added.

Tickets are €18 (€15 for Seniors and Students) available from St Mary’s Cathedral or online at Ticketsolve – LIT Millennium Theatre

The Ancór CD Sing Joyfully is available from the Hunt Museum

https://www.facebook.com/ancor.ie/

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Jingle Bells for Joseph


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Jingle Bells for Joseph, is a fundraising concert for Joseph Monaghan a little boy from Castletroy, who recently underwent pioneering surgery in Leeds for his Spastic Diplegia Cerebral Palsy, in order to relieve the severe pain he endures 24/7 and to help him walk.

The concert which will take place at Milford Church, Castletroy, December 2, is to raise funds for Joseph’s rehabilitation, which will cost approximately €30,000.

“Joseph is the son of one of my neighbours, and I have known of his condition for some time, and the extraordinary journey he and his parents, Geraldine and Joe are on. We had spoken in the choir about doing a big local fundraiser and Councillor Marian Hurley and her friend Mary Glynn came to me with the idea that Joseph was the ideal candidate.

“Joseph requires intense, long term rehabilitation to ensure this surgery is a long term success for him, so we are trying to do what we can to help the Monaghan family with that cost,” said organiser of the event and proprietor of the Mid-West Vocal Academy and Music School, Owen Gilhooly.

Owen, an internationally renowned vocalist who is well known to Limerick audiences, is currently pursing doctoral studies at the Royal Irish Academy of Music, where he teaches, established the Mid-West Vocal Academy and Music School in 2011.

The concert of popular and seasonal favourites will feature Owen’s choir Aoide, a mixed voice community choir with 70 members, as well as singers Martha O’ Brien, Conor Gibbons, David Howes, Kelli-Ann Masterson, pianists Conor McCarthy, Irina Dernova and harpist Janet Harbison.

“The concert will feature Limerick born singers returning home to give of their time and talent for this special cause. There will also be some special guests popping in to say hello, and special prizes on the night thanks to some wonderful donations from very generous locals.

“Everything seems to be going well. The choir are frantically preparing some new and exciting repertoire and tickets are moving fast. We are delighted too that University Concert Hall are handling the ticketing for us and our posters are being shared all over social media and in the press,” added Owen.

Tickets are €20, (Family Ticket €40 2 Adults 2 Children) and are available from University Concert Hall Box Office on 061- 331549

El Divas perform at the Limerick Millennium Theatre


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El Divas performance at the Limerick Millennium Theatre (LIT) on Saturday November 19, promises to be an evening packed with stunning singing that will thrill and enchant audiences as four extremely talented and accomplished local ladies take you on a musical journey.

These four friends consisting of Limerick ladies Jessica Bray, Amanda Minihan and Ennis ladies Helen Catherine Ball and Janet Woods, after years of trying have finally managed to align their busy schedules to create this exciting event.

The theme of the show is about their special bond, as they sing songs that convey their hopes, woes and dreams, and how their friendships have carried them through various trials and tribulations in their lives and music careers.

Locally and London trained Jessica, a drama teacher, singer, actress and director, has just finished playing ‘Aldonza’  in Man of La Mancha for Muse Productions, and is currently directing Shannon Musical Society’s 9 to 5.

Since completing her training in London Amanda has worked in the West End and regional shows and was delighted to work at home with Wildebeest Theatre Company’s Production of, On The Wire, in 2014.

Helen Catherine Ball, has performed in the West End, UK, Ireland and since returning home  has continued to perform and produce shows, as well as running her www.Theatro.ie stage school.

Janet combines her singing career with teaching history and business at Villiers Secondary School, as well as teaching singing and is also the Public Relations Officer (PRO) for Féile Luimní.

Janet and Helen are also connected by another special bond, through Helen’s parents and Janet’s grandparents, who knew each other through the Hearing-Impaired community.

El Divas will be accompanied by Ennis based Michael Hennessy who is renowned as a teacher, performer and musical director in the Clare region.

Saturday November 19th at Limericks Millennium Theatre (LIT) at 8pm. Tickets €16 & €14, available from the LMT Box-office 061 293190 and https://litmt.ticketsolve.com.

www.facebook.com/eldivasireland

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